Because We Need to Laugh at ISIS

Organisers of an art exhibition celebrating freedom of expression have found themselves removing one of the exhibits after police raised concerns it was "inflammatory" and warned it would cost an extra £36,000 to secure the event.

The artwork in question was a series of tableaux entitled 'Isis Threaten Sylvania' that used children's Sylvanian Families dolls to satirise the Isis terrorist group.

In the work Sylvanian Families dolls are seen enjoying a picnic or a day on the beach, while other black-clad dolls, some of them armed, one carrying a black flag, gather on the sidelines.

In each piece an otherwise tranquil scene appears set to turn violent.

This needs a GoFundMe ASAP.  How can the world continue to be denied such brilliance over £36,000 security-costs ?  Satire is power peeps.

Some more background on the artist & her intent from the Guardian:

Mimsy said she had adopted a pseudonym because, as the daughter of a Syrian father whose Jewish family had to go into exile in Lebanon when he was a child, she was acutely aware of the potential risk of speaking out.

“I love my freedom,” she said. “I’m aware of the very real threat to that freedom from Islamic fascism and I’m not going to pander to them or justify it like many people on the left are doing.”

She added that the idea of using Sylvanian Families “just popped into my head” as a way of demonstrating that fanaticism was not a question of race. Though the jihadis in the work are called “MICE-IS”, some are clearly cats or koalas and others have rabbits’ ears popping out of their masks. “I’m sick and tired of people calling criticism of fanatical Islam racist, because racism is about your skin colour and radical Islam is nothing to do with that. There are millions of Muslims who are shocked by it too,” said Mimsy.

She added that she had made the tableaux between December 2014 and May 2015 and had looked on in horror as, one by one, her imagined scenarios came true. In one scene, jihadis lurk outside a schoolroom, while a class of girls sit at their desks; in another, gunmen bristle on the horizon as holidaymakers sunbathe on a beach. “It was creepy, because each time I imagined a scene it happened in reality. I made the beach scene before the Tunisian massacre and the schoolroom scene before Boko Haram abducted the schoolgirls in Nigeria,” she said.

We need this.